The Alberti bass, a typical accompaniment style used by Mozart, serves as a traditional background in my compositions.

I personally love new music, even if it's not for everyone, as many composers are often ahead of their time.

I recorded my album 'Mysterious Barricades' in Brazil with Guitar Co-op, a label focused on promoting guitar repertoire and commissioning works.

I recorded my NAXOS album as part of the GFA prize, and it was unique because I had the freedom to create something that I wanted, rather than what a record company might typically push for.

The title 'Mysterious Barricades' comes from a track by François Couperin that is included in my album.

San Francisco is a hub for new music in the United States, and I love it here, which influenced my decision to study with Judicael Perroy again.

In my approach to playing harpsichord music on guitar, I try to avoid cross-string trills unless the piece was originally written for instruments like the lute or theorbo.

When listening to classical guitar on the radio, I often wonder who's performing, especially since modern players have impeccable tonal control, sounding smooth and rich with barely any audible nail attack.

I proposed the idea of recording Segovia's original compositions to GuitarCoop, and they liked it.