The first classical music I heard was for orchestra and piano, as my mother played piano, and I loved chamber music, especially the guitar's role in it.

When I began playing guitar, I practiced pieces by Giuliani, Sor, Carulli, and Carcassi because my teacher recommended them, and they form the basis of technique and tonality in classical music.

The Alberti bass, a typical accompaniment style used by Mozart, serves as a traditional background in my compositions.

I personally love new music, even if it's not for everyone, as many composers are often ahead of their time.

I started playing guitar because I was captivated by the sound in many Italian songs, especially those by Angelo Branduardi.

I recorded my album 'Mysterious Barricades' in Brazil with Guitar Co-op, a label focused on promoting guitar repertoire and commissioning works.

I recorded my NAXOS album as part of the GFA prize, and it was unique because I had the freedom to create something that I wanted, rather than what a record company might typically push for.

The title 'Mysterious Barricades' comes from a track by François Couperin that is included in my album.

San Francisco is a hub for new music in the United States, and I love it here, which influenced my decision to study with Judicael Perroy again.