Independent training for the thumb and fingers is essential, enabling each to function without affecting the other, which is vital for playing beautifully and accurately. To make a melody sing, you need to control each finger individually and develop a relationship between them, allowing for independence and trust in your playing.

As I gain experience, I learn to choose fingerings more quickly based on how my fingers work.

Practicing means playing at a very slow tempo, allowing me to control every movement of my left and right hands.

As I play, I need to adjust my hand position according to the music, ensuring my fingers are always in the right place for each note.

Before playing a piece, I prepare my right hand by placing my fingers on the strings, ensuring they are stable for easier left-hand preparation.

In the left hand, avoid lifting fingers unnecessarily when they are not needed, as this can create extra movement and hinder your playing efficiency.

It's crucial to keep the right hand relaxed, as if holding a golf ball, to ensure fluid movement while playing.

I separate practice from playing for enjoyment; mixing the two can lead to insecurities during performances, so I keep them distinct. When I practice, I'm problem-solving rather than just playing.

Once the fingers trust each other, we can relax and let our body memory take over the playing, rather than relying on our conscious mind.