In the left hand, avoid lifting fingers unnecessarily when they are not needed, as this can create extra movement and hinder your playing efficiency.

To achieve a stretch between the first and second fingers, ensure that the joints at the end of the fingers are positioned to the left of the tips, rather than following the standard parallel position.

Independent training for the thumb and fingers is essential, enabling each to function without affecting the other, which is vital for playing beautifully and accurately. To make a melody sing, you need to control each finger individually and develop a relationship between them, allowing for independence and trust in your playing.

The optimal left hand position for barre chords involves using your middle finger to oppose your thumb, creating a lever effect rather than pressing down hard with your index finger.

A common misconception is that the left hand must always be parallel to the fretboard, which limits the ability to stretch effectively.

When preparing to play, my right hand holds the string while my left hand prepares the position without pressing down.

Before playing a piece, I prepare my right hand by placing my fingers on the strings, ensuring they are stable for easier left-hand preparation.

While focusing on legato playing, it's essential to consider the role of the right hand, as it can interrupt the flow of the melody if not managed properly.

Many players make the mistake of extending their fingers outward while trying to play scales, which is ineffective and counterproductive.