I recorded the project at USC because I didn't want to risk taking Segovia's guitar to Brazil.

I was blown away by this guitar and thought instead of trying to buy it, let's do a recording project with it.

I recorded my NAXOS album as part of the GFA prize, and it was unique because I had the freedom to create something that I wanted, rather than what a record company might typically push for.

I recorded my album 'Mysterious Barricades' in Brazil with Guitar Co-op, a label focused on promoting guitar repertoire and commissioning works.

I proposed the idea of recording Segovia's original compositions to GuitarCoop, and they liked it.

I discovered that there was enough hidden Segovia music to create a CD, even though most pieces are short.

Recording with Norbert Kraft was incredible; he is very precise and dependable, ensuring the sound quality is excellent.

I previewed my upcoming album titled 'The Segovia Sessions' and recommend checking it out.

When John Williams heard one of Graham's performances of my piece, he liked it a lot and ended up touring and recording it.