Every classical guitarist has a different tone; many prefer a round and dark tone, while I choose a very direct and bright tone to ensure everyone in the hall can hear the music clearly.

It's fascinating to see how classical music will evolve and how the classical guitar will be integrated into future compositions.

The classical guitar has immense potential that is often overlooked by those outside the guitar community, who tend to focus on the past rather than its capabilities.

It's important to recognize that different styles of music, even if they don't align with classical guitar, can coexist without detracting from it.

I find that different guitars require subtle adjustments in technique to produce the optimal sound.

When listening to classical guitar on the radio, I often wonder who's performing, especially since modern players have impeccable tonal control, sounding smooth and rich with barely any audible nail attack.

Some well-known guitarists, like Segovia and Julian Bream, are recognized for their tones, which are actually quite bright rather than dark, contrary to popular belief. I choose to play with a bright and direct tone because it helps the musical line appear to ascend, making it clearer and more impactful.

I find that traditional guitars offer a clearer and more colorful sound compared to double tops, which can sometimes sacrifice tone for volume.

Using various tone colors and techniques, like vibrato and glissando, can help express different characters in music, such as a caring or worried mother.