Adding elements like vibrato and rubato can infuse personality into the melody, making it more expressive and engaging for the listener.

To achieve a nice legato, I need to let the string resonate until the next note is played, rather than dampening it, which creates a staccato effect.

When playing legato, I can put my fourth and first fingers down together, allowing me to lift off my fourth finger and play the first finger smoothly, creating a connected sound.

Using various tone colors and techniques, like vibrato and glissando, can help express different characters in music, such as a caring or worried mother.

To connect notes played on different strings, allow a brief overlap where both notes ring together, helping the ear perceive them as one continuous sound. Legato means to play connected, and I advise developing legato fingerings when playing on the same string or across strings, as well as using portamentos.

While focusing on legato playing, it's essential to consider the role of the right hand, as it can interrupt the flow of the melody if not managed properly.

When playing legato, there should be no gaps between notes; they must be connected smoothly.

When applying legato techniques to a piece, start by playing the notes without overlapping, then gradually introduce overlapping and portamento for a smoother sound.

The speed of attack on the strings affects the legato feeling; a slower approach is gentler and helps maintain a smooth sound, while a faster approach can be more aggressive.