Segovia was humble about his own compositions, often downplaying their significance compared to his arrangements.

I discovered that there was enough hidden Segovia music to create a CD, even though most pieces are short.

Segovia had an unbelievable talent for writing short pieces in the style of composers like Ravel and Debussy.

Segovia focused on promoting the guitar and expanding its repertoire, often writing pieces as an outlet rather than for promotion.

I proposed the idea of recording Segovia's original compositions to GuitarCoop, and they liked it.

The project 'The Segovia Sessions' started with me trying out guitars at the Guitar Salon in Los Angeles, where I found a Ramires guitar that I was instantly blown away by.

I believe that if a piece sounds good and captures the essence of the music, it will come across nicely, regardless of the original instrumentation.

Some well-known guitarists, like Segovia and Julian Bream, are recognized for their tones, which are actually quite bright rather than dark, contrary to popular belief. I choose to play with a bright and direct tone because it helps the musical line appear to ascend, making it clearer and more impactful.

I previewed my upcoming album titled 'The Segovia Sessions' and recommend checking it out.