Being happy in general helps me approach concerts with a positive mindset, focusing on sharing music rather than performance pressure.

A silly mindset helps me perform at my best on stage, allowing me to connect with the audience more effectively.

At the end of the day, a concert is about connecting with the audience and bringing emotion into the performance, rather than worrying about mistakes.

I don't like going on stage without a clear idea of what will happen, but I try to have a general sense of the performance range.

Performing in concerts is very different from competing; it has been liberating to express myself freely without the strategic elements of competition.

Leo Brouwer advised that on the day of a concert, one should just be happy, which shifted my perspective on performance.

Despite the challenges of performing frequently, I aimed to give every concert my full emotional effort, which was a significant learning experience for me. The experience of performing the Sasha Waltz piece has been both amazing and frustrating for me, as I've played it too many times and felt pressured to perform it on various shows.

I find that if I try to create stress or problems artificially, it doesn't work; genuine experiences are what lead to great performances.

As a skilled performer, I read and shift with the collective energy of crowds, whether in small comedy clubs or large arena shows.