Tools

Explore

Videos Channels Figures

Atmrix

Tools

Explore

Videos Channels Figures

Atmrix

CG

Classical Guitar Corner Cast

07/11/21

@ Classical Guitar Corner

The great Spanish composer Fernando Sor advised to keep your left-hand fingers down on the strings until needed, to avoid gaps between notes.

Video

CGC Tips on Legato for Beginners

@ Classical Guitar Corner

CGC Tips on Legato for Beginners

07/11/21

Related Takeaways

Simon Powers

11/05/17

@ Classical Guitar Corner

In the left hand, avoid lifting fingers unnecessarily when they are not needed, as this can create extra movement and hinder your playing efficiency.

Emmanuel Sowicz

05/22/21

@ tonebase Guitar

When playing legato on one string, ensure the gap between both notes is as tiny as possible.

Emmanuel Sowicz

05/22/21

@ tonebase Guitar

When playing two notes on the same string, synchronize your hands to ensure a smooth connection without anticipating the next note too early.

Classical Guitar Corner Cast

07/11/21

@ Classical Guitar Corner

While focusing on legato playing, it's essential to consider the role of the right hand, as it can interrupt the flow of the melody if not managed properly.

Simon Powers

11/05/17

@ Classical Guitar Corner

The first mistake is improper right hand alternation; as classical guitarists, we should regularly alternate fingers to avoid tension and improve speed, fluidity, and accuracy.

Łukasz Kuropaczewski

10/27/24

@ tonebase Guitar

I always prepare my right hand before playing a note, ensuring it is ready to strike the string just before the note is played.

Łukasz Kuropaczewski

10/27/24

@ tonebase Guitar

When preparing to play, my right hand holds the string while my left hand prepares the position without pressing down.

Łukasz Kuropaczewski

10/27/24

@ tonebase Guitar

Before playing a piece, I prepare my right hand by placing my fingers on the strings, ensuring they are stable for easier left-hand preparation.

Classical Guitar Corner Cast

07/11/21

@ Classical Guitar Corner

Avoiding extra accents with the right hand is crucial; if I emphasize each note too much, it disrupts the flow of the melody and prevents the notes from connecting well.