The Romeros have a unique sound that is instantly recognizable after just a few notes, and they are frequently featured on the radio for good reason.

Recording with Norbert Kraft was incredible; he is very precise and dependable, ensuring the sound quality is excellent.

The church where I recorded has a unique acoustic quality due to its mix of brick and wood, which enhances the guitar's sound.

Angel Romero's technique is a hybrid that combines benefits from both apoyando and tirando, and I recommend trying it out for its brilliance.

When listening to classical guitar on the radio, I often wonder who's performing, especially since modern players have impeccable tonal control, sounding smooth and rich with barely any audible nail attack.

Every classical guitarist has a different tone; many prefer a round and dark tone, while I choose a very direct and bright tone to ensure everyone in the hall can hear the music clearly.

Some well-known guitarists, like Segovia and Julian Bream, are recognized for their tones, which are actually quite bright rather than dark, contrary to popular belief. I choose to play with a bright and direct tone because it helps the musical line appear to ascend, making it clearer and more impactful.

This video effectively demonstrates Angel Romero's right-hand approach, which challenges the traditional division of string attack into distinct categories of apoyando and tirando.

The climax of the piece features minor seconds that create a sharp and harsh sound, but they are part of a nice chord progression.