I want the audience to win and be a part of the filmmaking process, rather than being an afterthought in Hollywood.

I let my friends go wild on set; it makes filming more fun and authentic.

After a disappointing experience trying to help a theater producer raise money, I understood that the people who wanted to bring projects to life often lacked the power to do so, relying instead on gatekeepers and investors.

I made Bedhead, an award-winning short film, using a windup camera, which opened my mind to making a feature film for $8,000, leading to El Mariachi.

The audience's reactions during screenings can significantly enhance the filmmaking experience and inform future projects.

I want to elevate my videos by surprising the audience with emotional moments and character development.

I thought if someone actually picks up my film, they'll be surprised by the action I included, even though I initially made it for practice.

Working in corporate finance made me realize how broken the finance system is, especially when I encountered filmmakers seeking funding but lacking the means to secure it.

When I was 22, I wanted fortune and fame, so I went to Hollywood. I always looked for the best tools to realize exciting stories, partnering with tech leaders like Steve Jobs at Pixar.