I think we should be careful not to judge different styles of music too harshly, as they can appeal to different audiences.

The challenge is to make our models good enough and easy to use so that even non-expert musicians can find them genuinely musically engaging, focusing on generating interesting sounds rather than just melodies.

I believe that if a piece sounds good and captures the essence of the music, it will come across nicely, regardless of the original instrumentation.

If the music is supposed to be prettier, I would probably use a tone that is captivating enough, but that depends on the musical content implying that it should be pretty.

The 19th-century idea that melody is the queen of music is outdated; I aim to reflect rather than imitate or be impressed by dramatic elements in my compositions.

When music is overly polished by the industry, it can strip away the raw power and uniqueness of the artist, resulting in a soulless product.

My music is non-standard because I don't prioritize melodies; instead, I focus on harmony, tension, and other aspects that support the melody.

The audience is best served when they receive the real version of the artist, rather than a watered-down version to please others.

The commercialization of country music often prioritizes what sells over what truly matters, leading to a loss of authenticity in the genre.