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RR
Robert Rodriguez
04/17/25
@ Lex Fridman
I thought if someone actually picks up my film, they'll be surprised by the action I included, even though I initially made it for practice.
Video
LF
Robert Rodriguez: Sin City, Desperado, El Mariachi, Alita, and Filmmaking | Lex Fridman Podcast #465
@ Lex Fridman
04/17/25
Related Takeaways
RR
Robert Rodriguez
04/17/25
@ Lex Fridman
I didn't know if any of the footage was exposed until I finished the whole movie, which made me incredibly nervous.
RR
Robert Rodriguez
04/17/25
@ Lex Fridman
I shot 'El Mariachi' in one take to save costs, expecting that some parts might not come out, but I was willing to reshoot if necessary.
RR
Robert Rodriguez
04/17/25
@ Lex Fridman
When filming, if something unexpected happens, it might lead to a better take later, so you have to roll with it and see the blessing in the mistake.
RR
Robert Rodriguez
04/17/25
@ Lex Fridman
I shot 'El Mariachi' on a 16mm camera without knowing how to use it, relying on phone calls for guidance.
RR
Robert Rodriguez
04/17/25
@ Lex Fridman
The audience's reactions during screenings can significantly enhance the filmmaking experience and inform future projects.
RR
Robert Rodriguez
04/17/25
@ Lex Fridman
I realized I could use reverse photography and stop motion to create special effects that enhanced the story.
RR
Robert Rodriguez
04/17/25
@ Lex Fridman
I believe that limitations in filmmaking can actually enhance creativity, as they force you to think outside the box.
RR
Robert Rodriguez
04/17/25
@ Lex Fridman
I often cast unexpected actors, like Robert Davi in 'Machete', to create surprising and interesting roles.
RR
Robert Rodriguez
04/17/25
@ Lex Fridman
I often use sound creatively in my films, adding effects that enhance the action and make it feel more impactful, even if the visuals are minimal.