I find that collaborating with different musicians helps me think about instruments in new ways, especially since a significant portion of my music features guitar.

When composing, I often visualize the entire piece in my mind before I start writing it down, focusing on the structure and character of the music.

I try to keep my compositional approach different for each piece, but certain textures and combinations of instruments often recur in my work.

I often see each project as an opportunity to explore a new style of music, which keeps my work fresh and engaging.

I often collaborate with performers, and I don't always take sole credit for compositions, as many ideas come from the musicians I work with. I wrote a concerto that John Williams recorded, but it wasn't originally written for him; it was for my friend Graham Roberts.

I believe in incorporating quotes and inspirations from diverse musical styles into my compositions, which allows me to explore new styles with each project.

I no longer think of sharing music in terms of performance; it's about sharing how I feel about music with others.

I dislike the idea of a definitive performance; every musician brings their own interpretation, which is valuable.

I believe that writing is less about the final product and more about the process of thinking and clarifying ideas, which is why I value it as a tool.