I treat the lines as larger units rather than focusing on each individual note.

After watching Paco de Lucia perform, I realized he approached scales as a single unit or path rather than a series of individual notes.

Passages in music are meant to take us from point A to point B, and practicing them slowly can hinder speed despite improving tone production.

When practicing fast passages, thinking of them as a single goal rather than many notes makes them easier to execute.

Phrasing is essential when playing a passage, and I personally enjoy incorporating phrasing into my performance. When playing fast scalar passages, focus on the overall crescendo rather than each individual note, as the first note should not be accented but rather serve as the beginning of a crescendo leading to the theme.

Visualize the passage as a climb, similar to Sisyphus pushing a stone uphill, which helps maintain momentum and allows for breathing without stress.

Using a combination of thumb and index finger in your right hand can enhance your phrasing and make the passage easier to play.

Treat the musical phrase as a path from point A to point B, which simplifies the playing process and allows for a more relaxed approach.