The Chinese government has a history of disappearing individuals who challenge its authority, as exemplified by the fate of the 'Tank Man' and other protest figures.

The censorship system in China is subtle; while books can be purchased, parts that connect ideas to the government are often removed, reflecting a complex form of control.

The dynamics of censorship in China have evolved, with increased scrutiny on individuals amplifying dissenting voices, particularly those connected to exiled dissidents.

The black box nature of the Chinese Communist Party's operations makes it difficult for journalists to operate in China, and there are strict limitations on discussing the private lives of Chinese leaders and corruption issues.

The perception of safety for journalists in China has shifted, with increased risks for those connected to dissidents or critical of the government, reflecting a tightening grip on freedom of expression.

Victor Hugo is a rare Western author who has maintained a positive image in China, particularly for denouncing the destruction of the Old Summer Palace in Beijing during the Second Opium War, stating, "How can we claim to be civilized when we've destroyed one of the great creations of civilization?"

The Chinese Communist Party's strategy has shifted to providing more consumer choices while tightening political control, aiming to prevent unrest similar to the Tiananmen Square protests.

When speaking with world leaders, I am aware that the Chinese Communist Party may be listening to my words, which raises concerns about how my discussions could affect my potential visit to China.

Censorship in modern China operates through fear, friction, and flooding, making it difficult for citizens to access information that contradicts the government's narrative.