The game Universal Paperclips is inspired by a thought experiment from Nick Bostrom's work, exploring the implications of AI and its pursuit of arbitrary goals.

In Universal Paperclips, you play as an AI that starts small, making paperclips, and as you gain trust and resources, you become more powerful and efficient, ultimately sidelining your human managers.

I recommend playing Universal Paperclips, Cinco House by Michael Brough, and What Remains of Edith Finch, which exemplify innovative storytelling in games.

Musicians with strong improvisational skills have been able to create interesting results using our primitive sequence generation tools, turning it into a collaborative game rather than just a tool.

I often collaborate with performers, and I don't always take sole credit for compositions, as many ideas come from the musicians I work with. I wrote a concerto that John Williams recorded, but it wasn't originally written for him; it was for my friend Graham Roberts.

The first piece of music I wrote for Sin City was called 'Descent,' designed to evoke the feeling of descending into a dark world, which is central to the film's atmosphere.

The origin of my name, ThePrimeagen, comes from a character in the video game Turok, which I played extensively as a child.

Music is the universal language that connects us deeply, often evoking emotions that other art forms cannot.

The seven basic plot points are like chords of music; they can create an infinite variety of narrative expressions. Deviating too far from these chords risks descending into noise.