It's fascinating to see how classical music will evolve and how the classical guitar will be integrated into future compositions.

When listening to classical guitar on the radio, I often wonder who's performing, especially since modern players have impeccable tonal control, sounding smooth and rich with barely any audible nail attack.

Every classical guitarist has a different tone; many prefer a round and dark tone, while I choose a very direct and bright tone to ensure everyone in the hall can hear the music clearly.

The classical guitar allows us to shape the sound while it fades, adding various tone colors.

At Classical Guitar Corner Academy, we offer a curriculum that starts from the basics, covering many of the concepts discussed in this video.

The GFA experience was more about education than just launching my career; it allowed me to connect with the classical guitar community across the United States.

Before tonebase, guitarists had to search extensively online to find valuable information about guitar techniques.

I recorded my album 'Mysterious Barricades' in Brazil with Guitar Co-op, a label focused on promoting guitar repertoire and commissioning works.

Some well-known guitarists, like Segovia and Julian Bream, are recognized for their tones, which are actually quite bright rather than dark, contrary to popular belief. I choose to play with a bright and direct tone because it helps the musical line appear to ascend, making it clearer and more impactful.