Sergio Assad's compositions often blend various cultural influences, showcasing a unique style that is not strictly tied to a specific genre or location.

Sergio Assad's composition reflects the role of the artist in expressing feelings about the current international political environment through music, allowing for a nuanced exploration of complex issues without taking a definitive side.

In the second movement titled 'Hadrian's Wall', Sergio Assad evokes the Roman essence with a sound reminiscent of a Ben Hur soundtrack, incorporating elements that imitate bagpipe music.

The Assad brothers have significantly influenced the guitar ensemble realm and have brought a lot of new repertoire to the instrument.

Sergio Assad's third movement, 'Berlin Wall', combines twelve-tone composition with Beethoven's 'Ode to Joy', reflecting on the historical significance of the Berlin Wall's fall.

I commissioned Sergio Assad to write a piece titled 'The Walls' for solo guitar and guitar orchestra, which portrays four historic barriers: the Great Wall of China, Hadrian's Wall, the Berlin Wall, and the Israeli West Bank Barrier.

Segovia was humble about his own compositions, often downplaying their significance compared to his arrangements.

As a performer, I must understand the composer's intentions and then make the piece my own, which involves recognizing the freedoms offered in the score.

Segovia focused on promoting the guitar and expanding its repertoire, often writing pieces as an outlet rather than for promotion.