It's essential to balance respect for the score with the need to make the music sound beautiful, as the composer may prioritize emotional expression over strict adherence to the written notes.

When writing orchestral pieces, I have to ensure they can be played off the page, as there are many musicians involved and time is limited during rehearsals.

I dislike the idea of a definitive performance; every musician brings their own interpretation, which is valuable.

Artistry begins with exploring how far you can push your interpretation of a piece, rather than staying within a tight sphere of traditional interpretations.

It's essential to know your piece very well so you can navigate through any discomfort during a performance.

Writing for orchestras requires a more conservative approach compared to writing for soloists or chamber groups, where I can take bigger risks.

When composing, I often visualize the entire piece in my mind before I start writing it down, focusing on the structure and character of the music.

When performing, it's essential to determine what you want to express and adjust the tempo accordingly to fit that idea.

It's sometimes strange when other musicians play music I've written for a specific guitarist, but their different interpretations can be just as interesting and valid.