When writing orchestral pieces, I have to ensure they can be played off the page, as there are many musicians involved and time is limited during rehearsals.

As a performer, I must understand the composer's intentions and then make the piece my own, which involves recognizing the freedoms offered in the score.

It's essential to balance respect for the score with the need to make the music sound beautiful, as the composer may prioritize emotional expression over strict adherence to the written notes.

I prefer to practice scales in pairs, but sometimes I have to adapt to the requirements of the music.

When composing, I often visualize the entire piece in my mind before I start writing it down, focusing on the structure and character of the music.

Articulation in music is crucial; we should not always play in legato but use various articulations to express our ideas.

In my approach to playing harpsichord music on guitar, I try to avoid cross-string trills unless the piece was originally written for instruments like the lute or theorbo.

It's sometimes strange when other musicians play music I've written for a specific guitarist, but their different interpretations can be just as interesting and valid.

I prefer to warm up with easier pieces before tackling more difficult music to protect my hands.