When filming, I often operate the camera myself to capture the moment and the energy of the performance.

I prefer to work on lower-budget films because it fosters creativity and gives me more freedom to innovate without external pressures.

When filming, if something unexpected happens, it might lead to a better take later, so you have to roll with it and see the blessing in the mistake.

The audience's reactions during screenings can significantly enhance the filmmaking experience and inform future projects.

Being a great director often means being a great audience for your actors, creating a safe space for them to perform, and I prefer to be close to the action and connected with the actors because filmmaking is like a dance.

I experience crippling anxiety on set, especially when filming with large groups, which can lead to stuttering as I juggle multiple thoughts.

I believe that the essence of filmmaking is capturing moments that feel magical and spontaneous.

I want the audience to win and be a part of the filmmaking process, rather than being an afterthought in Hollywood.

I aim to create real moments in the studio that feel authentic, even if they don't sound perfect; it's about capturing something that really happened.