When I left Google, I needed time to explore what others were doing and to figure out what I wanted to pursue next. I made a VR project for The Weather Channel that became my favorite because it was immediately apparent and hilarious, showcasing how comedy can be created in VR without relying on traditional slapstick humor.

At Google, I was the principal filmmaker for VR, where I developed the Jump ecosystem for live-action VR footage.

Creative projects powered by AI are emerging, allowing individuals to produce unique content and experiences that were previously only possible with large budgets and teams.

In VR, the focus should be on creating potential stories where users can interact and discover the core values of the narrative.

Despite initial struggles and criticism, Interview Coder eventually went viral, which helped secure my position in the tech industry.

I started my company, Vrai Pictures, after realizing I wanted to work on projects that mattered to me.

The audience's reactions during screenings can significantly enhance the filmmaking experience and inform future projects.

Movies and games are likely to blur together, creating new forms of interactive storytelling and content creation.

I found it challenging to be reactive in the early days of VR because it was new and no one knew what to do with it yet.