In the film Ex Machina, the embodiment of AI is crucial, as it explores the philosophical implications of human attraction and empathy towards artificial intelligence.

The ending of Ex Machina leaves many questions unanswered, such as whether Ava is truly conscious or just a machine, emphasizing the film's ambiguity about AI and consciousness. It is intentionally vague, leaving viewers questioning the consciousness of the AI character, Ava.

Movies like "Her" and "Ex Machina" effectively explore the potential consequences of AI, highlighting both its benefits and risks.

In Ex Machina, the portrayal of AI is influenced by the need to create a compelling narrative, often depicting AI as a nemesis or a human-like entity, which may not reflect the reality of AI development.

Ava's smile at the end of Ex Machina suggests a level of consciousness, as it raises the question of why she would smile if she weren't aware of herself.

The gel used to depict Ava's brain in Ex Machina was a good choice, as we currently lack the technology to create lifelike artificial intelligence like hers.

When I read the script for Ex Machina, I had to imagine the imagery since it didn't exist yet; the characters, especially Nathan, were vividly portrayed.

Alex Garland, the writer and director of Ex Machina, describes the film as set ten minutes into the future, reflecting a world very similar to ours.

I informally took on the role of scientific advisor for Ex Machina, meeting with Alex Garland multiple times to discuss ideas about consciousness and AI.