I had to adjust my concert program multiple times throughout the tour to ensure it resonated with the audience and made sense as a cohesive performance.

The choice of tone is not the same every time; it varies based on the circumstances of the performance and the clarity needed for the musical narrative.

As a performer, I must understand the composer's intentions and then make the piece my own, which involves recognizing the freedoms offered in the score.

Choosing repertoire that is too difficult can lead to frustration; it's important to select pieces that are appropriate for your skill level to ensure consistent progress and a sense of achievement.

In a concert, unexpected things can happen, and I train myself to return my focus to the music.

It's essential to know your piece very well so you can navigate through any discomfort during a performance.

I prefer to practice scales in pairs, but sometimes I have to adapt to the requirements of the music.

When writing orchestral pieces, I have to ensure they can be played off the page, as there are many musicians involved and time is limited during rehearsals.

Despite the challenges of performing frequently, I aimed to give every concert my full emotional effort, which was a significant learning experience for me. The experience of performing the Sasha Waltz piece has been both amazing and frustrating for me, as I've played it too many times and felt pressured to perform it on various shows.