Choosing a program for concerts is often mysterious; sometimes pieces that seem to fit together don't work as expected during a performance.

In a concert, unexpected things can happen, and I train myself to return my focus to the music.

Despite the challenges of performing frequently, I aimed to give every concert my full emotional effort, which was a significant learning experience for me. The experience of performing the Sasha Waltz piece has been both amazing and frustrating for me, as I've played it too many times and felt pressured to perform it on various shows.

As I play, I need to adjust my hand position according to the music, ensuring my fingers are always in the right place for each note.

As a skilled performer, I read and shift with the collective energy of crowds, whether in small comedy clubs or large arena shows.

I don't like going on stage without a clear idea of what will happen, but I try to have a general sense of the performance range.

I've had concerts where everything goes wrong, yet I perform well, which I attribute to a carefree attitude that allows me to play freely.

As a performer, I must understand the composer's intentions and then make the piece my own, which involves recognizing the freedoms offered in the score.

At the end of the day, a concert is about connecting with the audience and bringing emotion into the performance, rather than worrying about mistakes.